Erinn Clancy

Music video for We Can Do What We Want to using green screen face paint and rear screen projections to match the 90's sound of this song.

Music video created for Planet XQ by Dollie Melaine, an electronic musician and fashion icon of Vienna. 

Shot on Super 8mm film stock to capture the timeless look and feeling of Quinn DeVeaux and his band The Blue Beat Review's classic sound. 

This video was created by projecting inverted images onto a body and captured in camera. The video was then inverted again so the projections are positive and body is negative, creating surreal dreamlike images. 

An experimental video piece using analog video feedback and circuit bending to blend and explore movement, sexuality, and censorship. Screened at the GUGGENHEIM Museum in New York. Directed by Jason Akira Somma.

An experimental video piece using analog video feedback and looping techniques to explore form, movement and sacred geometry. Screened at the GUGGENHEIM Museum in New York. Directed by Jason Akira Somma.

This video was created using live recordings run through a series of projectors, overlapping each other to create an in camera pscycodelic video feedback effect.

Using ropes, pulleys and a spotlight, Chris French is turned into a giant puppet on an empty stage. Co-directed and shot by Justin Nunnink.

A music video for a Alison Clancy featuring rapper Niki Bernard, in a dance collaboration for the theatrical Street Ballet company NINE BY SEVEN that toured Denmark in the summer of 2014.

In studio recording of Juno Brown's title track "Take It Slow".

Wu-Tang Clan associate Sav Killz pays tribute to Biggie Smalls in this music video created with a body camera mount to give an in your face personal experience.

Music video for Jesse Gayle, recorded live in the red woods of Northern California. 

Music video for HUFF THIS! paying tribute to the classic track "Right Stuff" by New Kids on the Block.

Combining images of water, ice and snow, the band swims through the elementals in slow motion.